Nepalese doctor reflects on 'People's City'

Walking through the People's City exhibition at the Shanghai Exhibition Center, Ashish Maskay feels a profound connection. Among the 900 photographs and 353 real-world examples, he witnessed not just Shanghai's transformation over the past five years but a reflection of his own journey.

Born in 1971 and arriving in Shanghai in 2003 as a young surgeon from Nepal, he navigated the city with a red Chinese/English dictionary in hand, marveling at the towering Jinmao building, one of the few skyscrapers gracing the skyline at that time.

"The 2003 China and 2024 China are very different," he reflected.

Today, Maskay is the director of Shanghai expatriate healthcare and section chief of assistant surgeons at Shanghai United Family Hospital. His journey, however, has extended far beyond the surgery room. He is also the founder of Bloodline, a nonprofit connecting expats with children battling blood cancer.

His dedication was recognized in 2020 and 2022 when he was awarded the Shanghai Magnolia Silver Award and Shanghai Magnolia Gold Award, respectively, recognizing his contributions to the city's development and global exchanges.

Maskay's story is interwoven with the city's evolution.

He recounts early struggles — navigating unfamiliar streets, the lack of English signage, and the then-uncommon sight of a foreigner, especially in outlying districts.

"They were so fascinated to see foreigners," he laughed, recalling children chasing him and his friend, shouting "Look, Laowai!".

But alongside these challenges, he found kindness, a willingness to bridge the language gap with a smile and a helping hand. "My teachers and other Chinese friends, colleagues, and so on were extremely good to me," he recalled.

This spirit of helpfulness fueled his desire to contribute. The creation of Bloodline, sparked by a critical need for a rare blood type for a French girl, epitomizes his philosophy: "When Shanghai cries, I cry. When Shanghai smiles, I smile."

He said he sees the organization, with its diverse 3,000-plus members representing over 68 countries, as a microcosm of the city itself — a "mini United Nations" joined for a common purpose.

He has witnessed firsthand the government's commitment to creating a "People's City" — where feedback is not merely heard but acted upon. He cites the example of raising concerns about inconsistencies in how foreigners' names were registered across different systems. To his surprise, his feedback sparked change, including the creation of multilingual informational videos and the streamlining of processes.

Maskay believes technology plays a crucial role in enhancing residents' lives. He points to the seamless integration of digital tools — from food delivery apps to sophisticated medical technologies — that have become integral to daily life in Shanghai.

He envisions a future where Shanghai leverages artificial intelligence and digital advancements to further bridge cultural gaps, particularly in healthcare, noting the potential for medical tourism.

However, for Maskay, the essence of Shanghai goes beyond its impressive infrastructure and technological prowess. He compares the city to a "hot pot" where diverse cultures and individuals come together to create a vibrant, ever-evolving tapestry.

He is particularly drawn to the symbolism of the magnolia flower, Shanghai's emblem, representing peace, unity, and a shared sense of belonging.

Maskay carries this message of ownership and belonging to the younger generation, urging them to "have ownership, belong to the city, and don't just be a mister whoever in the city". He believes that embracing this spirit of shared responsibility and contributing to the city's growth is key to ensuring its continued success.

His vision for Shanghai is a city where smiles are the universal language, cultural barriers continue to dissolve, and everyone feels a sense of ownership and pride in being a part of its ongoing story.

Luo Bin contributed to this story.

Ashish Maskay poses with his wife in front of a photo display showcasing his contributions to urban improvement, at the People's City exhibition at the Shanghai Exhibition Center.